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TREATMENT OF MADHYAMand#256;VATHI Rand#256;GA IN THE COMPOSITIONS OF TRINITY

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Title TREATMENT OF MADHYAMand#256;VATHI Rand#256;GA IN THE COMPOSITIONS OF TRINITY
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Contributor Dr PREETHY K
 
Subject Evolution of Madhyamand#257;vathi Rand#257;ga
Madhyamand#257;vathi Compositions of and#346;r i and#346;yand#257;maand#347;and#257;sthr i
Madhyamand#257;vathi Compositions of and#346;r i Muththusvand#257;mi Dikshithar
Madhyamand#257;vathi Compositions of Saint Thyand#257;garand#257;ja
 
Description Sand#257;mavand#275;da is considered as the root for the origin of Karnatic music
newlineFrom the three notes of the Vand#275;dic period a full octave of Saptha svarand#257;s
newlineflourished and after that these notes bloomed into rand#257;gand#257;s Mathanga named the
newlineterm Jand#257;thi as Rand#257;ga Because of the sincere and dedicated service of great
newlinelakshan akand#257;rand#257;s Karnatic music experienced different classification of
newlinemand#275;land#257;s Among these classifications 72 Mand#275;lakar ththa scheme of
newlineVenkitamahi ie Kanakand#257;mbari Phand#275;nadyuthi and mand#275;lapaddathi of
newlineGovindand#257;chand#257;rya Kanakand#257;ngi Rathnand#257;ngi were accepted by most of the
newlinecomposers of Karnatic music
newline
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Date 2016-04-06T12:05:55Z
2016-04-06T12:05:55Z
6-1-2010
20/11/2013
17/2/2014
 
Type Ph.D.
 
Identifier http://hdl.handle.net/10603/79232
 
Language English
 
Relation —
 
Rights self
 
Format —
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DVD
 
Coverage —
 
Publisher Kalady
Sree Sankaracharya University of Sanskrit
Department of Music
 
Source University